Audio Leveling Calculator
Calculate LUFS target adjustments and limiter settings for podcasts.
About this calculator
Podcast platforms normalize loudness to a target LUFS value so listeners don't have to reach for the volume knob between shows, and this calculator figures out exactly how much gain to apply to hit that target — and whether doing so will cause your audio to clip. The gain adjustment is simply the difference between your target and current integrated loudness, since LUFS and decibels of gain move on the same linear scale: raising a -20 LUFS episode to a -16 LUFS target takes exactly 4 dB of gain, no more and no less. That same gain shift is then applied to your current true peak level to predict where your loudest moment will land after the adjustment, since boosting overall loudness raises peaks by the identical amount.
If that predicted peak would exceed your true peak limit, typically -1 dBTP for podcasts, the calculator flags that a limiter is needed and suggests a threshold set half a decibel below the hard limit as a safety margin, since a limiter set exactly at the ceiling can still let occasional peaks slip through due to how true peak detection and processing interact. This is a linear, single-pass model based on the loudness and peak numbers you already measured — it doesn't measure or re-analyze your audio itself, so its accuracy depends entirely on how accurately you measured current loudness and peak in your DAW or a loudness-metering tool beforehand.
Inputs
Results
Gain Adjustment
4 dB
How to Use This Calculator
- Measure your episode's integrated loudness using your DAW or a free tool like Loudness Penalty.
- Enter your Current Loudness in LUFS and your Target Loudness (-16 LUFS for most podcast platforms).
- Enter your Current True Peak level and set the True Peak Limit (-1 dBTP is the podcast standard).
- Review the Gain Adjustment — apply this value as gain in your DAW or export settings.
- If Needs Limiter shows 1, add a true peak limiter at the Limiter Threshold value before export.
How the result changes with Current Loudness
| Current Loudness | Gain Adjustment |
|---|---|
| -50 | 34 dB |
| -30 | 14 dB |
| -15 | -1 dB |
| -10 | -6 dB |
What each input means
- Current Loudness
- Measured integrated loudness of your audio in LUFS.
- Target Loudness
- Target loudness (-16 LUFS for podcasts, -14 for Spotify).
- Current True Peak
- Current true peak level of your audio.
- True Peak Limit
- Maximum allowed true peak (-1 dBTP is standard for podcasts).
How this is calculated
Worked example, using the default values
- Identify Input Parameters4 parametersCurrent Loudness = -20, Target Loudness = -16, Current True Peak = -3, True Peak Limit = -1 = 4 input(s) provided
- Calculate Gain AdjustmentGain Adjustment4 = 4
- Calculate Predicted PeakPredicted Peak1 = 1
- Calculate HeadroomHeadroom-2 = -2
Engine last updated . Checked against 2 independently-derived tests — how we verify calculators. Built by Paul Gunder, a software engineer, not a licensed financial, medical, or legal professional.
Frequently Asked Questions
Why does raising loudness by 4 dB also raise the true peak by exactly 4 dB?
Gain is a linear multiplication applied uniformly across the entire waveform, so every point in the audio — including its loudest instantaneous peak — shifts by the same number of decibels as the overall loudness measurement. There's no way to raise integrated loudness without also raising the peaks proportionally unless you apply separate processing like compression or limiting on top of the gain change.
Why is the recommended limiter threshold set half a decibel below the true peak limit instead of right at it?
True peak metering estimates the actual peak level between digital samples, including brief peaks that a limiter's detection can slightly overshoot before clamping down. Leaving a small safety margin below the hard ceiling — 0.5 dB here — accounts for that detection lag so the final exported file stays reliably under the platform's true peak limit rather than landing right at the edge.
What happens if my predicted peak comes out well under the true peak limit?
That's the headroom figure — a comfortable, positive number means your audio can absorb the gain increase needed to hit your loudness target without any risk of clipping, and no limiter is strictly necessary. A limiter can still be worth using as insurance against unexpectedly loud moments later in editing, but this calculator won't flag it as required in that case.
Why do podcasts typically target -16 LUFS instead of a louder or quieter level?
Major podcast apps and platforms normalize episodes to roughly this range so that switching between shows in a playlist or feed doesn't produce jarring volume jumps for the listener. Targeting a level close to what the platform normalizes to anyway means your episode plays at its intended loudness rather than being turned down (wasting dynamic range) or turned up (which can't restore detail the platform's normalization already removed).
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