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Calcimator

Mastering Loudness Calculator

Find target LUFS and true peak limits for Spotify, Apple Music, YouTube, CD, and vinyl mastering.

About this calculator

Streaming platforms measure loudness in LUFS (Loudness Units relative to Full Scale) and normalize every track that comes through them to a platform-specific target, which is why mastering a track louder than that target doesn't actually make it play back louder -- it just gets turned down on playback, sometimes clipping the limiter in the process. Spotify publishes its target outright -- -14 dB integrated LUFS, kept below -1 dB TP true peak (or -2 dB TP if the master runs louder than -14 LUFS) -- and this calculator applies that figure directly. Apple Music and YouTube don't publish an equivalent numeric spec in their own documentation, so this calculator applies the same -14 LUFS figure to YouTube and a commonly cited -16 LUFS to Apple Music, both widely used mastering-community conventions rather than platform-confirmed numbers. For non-streaming formats like CD and vinyl where no platform normalization applies, the calculator falls back to conventional mastering-community loudness and true-peak guidance rather than an enforced spec.

Target Platform is the dominant factor behind both the Target LUFS and True Peak Limit results on the streaming platforms, since Spotify, Apple Music, and YouTube each normalize to their own fixed target regardless of genre, discarding any genre adjustment entirely -- but on CD and vinyl, where genre does nudge the target, Genre and Target Platform move Target LUFS by comparable amounts. Genre only nudges Target LUFS on non-streaming formats (streaming platforms normalize regardless of genre, so the calculator skips the genre adjustment there), but it fully determines the Suggested Dynamic Range figure -- Classical and Jazz get wider suggested dynamic range than Pop, Rock, or Hip-Hop, reflecting how much more headroom acoustic and orchestral material is conventionally mixed with. Target Platform has no bearing on Suggested Dynamic Range at all, since that figure is keyed purely on the musical style rather than the delivery format.

Inputs

LUFS

Results

Target LUFS

-14 LUFS

Gain Change Needed4 dB
True Peak Limit-1 dBTP
Suggested Dynamic Range8 LU
Limiter Ceiling-1.3 dBFS

Figures current as of 2026. Source: Spotify for Artists, "Loudness normalization"

How to Use This Calculator
  1. Enter your mix's Current Integrated LUFS.
  2. Select the Target Platform: Spotify, Apple Music, YouTube, CD, or Vinyl.
  3. Select the Genre: Pop, Rock, Classical, Hip-Hop, or Jazz.
  4. Review the Target LUFS result.
  5. Use Gain Change Needed (dB), True Peak Limit (dBTP), Suggested Dynamic Range (LU), and Limiter Ceiling (dBFS) to inform your decision.

What each input means

Current Integrated LUFS
The current integrated loudness of your mix in LUFS.
Target Platform
Select the target platform
Genre
Select the genre

How this is calculated

Worked example, using the default values

  1. Identify Input Parameters
    Current Integrated LUFS = -18, Target Platform = 1, Genre = 1 = 3 input(s) provided
  2. Calculate Target LUFS
    Target LUFS
    -14 = -14
  3. Calculate Gain Change Needed
    Gain Change Needed
    4 = 4
  4. Calculate True Peak Limit
    True Peak Limit
    -1 = -1

Figures and sources

Engine last updated . Checked against 2 independently-derived tests — how we verify calculators. Built by Paul Gunder, a software engineer, not a licensed financial, medical, or legal professional.

Frequently Asked Questions

Which has more influence on the mastering target — Target Platform or Genre?

On the streaming platforms (Spotify, Apple Music, YouTube), Target Platform dominates both the Target LUFS and True Peak Limit results, since each one normalizes to its own fixed loudness target and true-peak ceiling regardless of genre, discarding any genre-based adjustment entirely. On CD and vinyl, though, where there's no platform normalization to override it, Genre moves Target LUFS by an amount comparable to the difference between the two formats' own targets -- so on non-streaming formats, neither input clearly dominates the other.

Does the Genre selection change the True Peak Limit?

No -- Genre is completely inert against True Peak Limit, which is set purely by the Target Platform you select. A pop track and a classical track mastered for the same platform share the same true-peak ceiling; what differs between them is the suggested dynamic range and, on non-streaming formats, the loudness target itself.

How much wider is Classical's Suggested Dynamic Range than Pop's or Hip-Hop's?

Genre dominates the Suggested Dynamic Range figure entirely -- Target Platform has no effect on it. Classical and Jazz are mapped to a wider suggested range than Pop, Rock, or Hip-Hop, reflecting the convention that acoustic and orchestral material is typically mixed and mastered with more dynamic headroom than heavily compressed commercial genres.

Why does mastering louder than a streaming platform's target not make a track sound louder?

Streaming services normalize playback loudness to their own target LUFS regardless of how loud the file was mastered, so pushing a track past that target mainly sacrifices dynamic range and can force the platform's normalization to turn it down, sometimes exposing limiter distortion that a properly targeted master would have avoided. Spotify states this explicitly in its own published guidance: target -14 dB integrated LUFS with true peak kept below -1 dB TP (or below -2 dB TP if the master exceeds -14 LUFS), specifically to avoid inter-sample peaks clipping during lossy encoding.

The questions that sit next to this one — chosen by subject, including calculators filed under a different category.

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